14 years ago
Showing posts with label 200 favorite poems. Show all posts
Showing posts with label 200 favorite poems. Show all posts
Wednesday, September 10, 2008
Beside the Point
Stephen Cushman
The sky has never won a prize.
The clouds have no careers.
The rainbow doesn't say my work,
thank goodness.
The rock in the creek's not so productive.
The mud on the bank's not too pragmatic.
There's nothing useful in the noise
the wind makes in the leaves.
Buck up now, my fellow superfluity,
and let's both be of that worthless ilk,
self-indulgent as shooting stars,
self-absorbed as sunsets.
Who cares if we're inconsequential?
At least we can revel,
two good-for-nothings,
in our irrelevance; at least come and make
no difference with me.
Labels:
200 favorite poems,
Stephen Cushman
Monday, September 8, 2008
Isa pa:
Cameo Appearance
Charles Simic
I had a small, nonspeaking part
In a bloody epic. I was one of the
Bombed and fleeing humanity.
In the distance our great leader
Crowed like a rooster from a balcony,
Or was it a great actor
Impersonating our great leader?
That’s me there, I said to the kiddies.
I’m squeezed between the man
With two bandaged hands raised
And the old woman with her mouth open
As if she were showing us a tooth
That hurts badly. The hundred times
I rewound the tape, not once
Could they catch sight of me
In that huge gray crowd,
That was like any other gray crowd.
Trot off to bed, I said finally.
I know I was there. One take
Is all they had time for.
We ran, and the planes grazed our hair,
And then they were no more
As we stood dazed in the burning city,
But, of course, they didn’t film that.
Cameo Appearance
Charles Simic
I had a small, nonspeaking part
In a bloody epic. I was one of the
Bombed and fleeing humanity.
In the distance our great leader
Crowed like a rooster from a balcony,
Or was it a great actor
Impersonating our great leader?
That’s me there, I said to the kiddies.
I’m squeezed between the man
With two bandaged hands raised
And the old woman with her mouth open
As if she were showing us a tooth
That hurts badly. The hundred times
I rewound the tape, not once
Could they catch sight of me
In that huge gray crowd,
That was like any other gray crowd.
Trot off to bed, I said finally.
I know I was there. One take
Is all they had time for.
We ran, and the planes grazed our hair,
And then they were no more
As we stood dazed in the burning city,
But, of course, they didn’t film that.
Labels:
200 favorite poems,
Charles Simic
Since I can never really tell you, can never express joy fully in words, I'll just let one of my more favored poets do the talking:
So Much Happiness
Naomi Shihab Nye
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands,
like ticket stubs or change.
But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records…
Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.
So Much Happiness
Naomi Shihab Nye
It is difficult to know what to do with so much happiness.
With sadness there is something to rub against,
a wound to tend with lotion and cloth.
When the world falls in around you, you have pieces to pick up,
something to hold in your hands,
like ticket stubs or change.
But happiness floats.
It doesn’t need you to hold it down.
It doesn’t need anything.
Happiness lands on the roof of the next house, singing,
and disappears when it wants to.
You are happy either way.
Even the fact that you once lived in a peaceful tree house
and now live over a quarry of noise and dust
cannot make you unhappy.
Everything has a life of its own,
it too could wake up filled with possibilities
of coffee cake and ripe peaches,
and love even the floor which needs to be swept,
the soiled linens and scratched records…
Since there is no place large enough
to contain so much happiness,
you shrug, you raise your hands, and it flows out of you
into everything you touch. You are not responsible.
You take no credit, as the night sky takes no credit
for the moon, but continues to hold it, and share it,
and in that way, be known.
Sunday, July 13, 2008
Choosing to Think of It
Today, ten thousand people will die
and their small replacements will bring joy
and this will make sense to someone
removed from any sense of loss.
I, too, will die a little and carry on,
doing some paperwork, driving myself
home. The sky is simply overcast,
nothing is any less than it was
yesterday or the day before. In short,
there's no reason or every reason
why I'm choosing to think of this now.
The short-lived holiness
true lovers know, making them unaccountable
except to spirit and themselves--suddenly
I want to be that insufferable and selfish,
that sharpened and tuned.
I'm going to think of what it means
to be an animal crossing a highway,
to be a human without a useful prayer
setting off on one of those journeys
we humans take. I don't expect anything
to change. I just want to be filled up
a little more with what exists,
tipped toward the laughter which understands
I'm nothing and all there is.
By evening, the promised storm
will arrive. A few in small boats
will be taken by surprise.
There will be survivors, and even they will die.
Today, ten thousand people will die
and their small replacements will bring joy
and this will make sense to someone
removed from any sense of loss.
I, too, will die a little and carry on,
doing some paperwork, driving myself
home. The sky is simply overcast,
nothing is any less than it was
yesterday or the day before. In short,
there's no reason or every reason
why I'm choosing to think of this now.
The short-lived holiness
true lovers know, making them unaccountable
except to spirit and themselves--suddenly
I want to be that insufferable and selfish,
that sharpened and tuned.
I'm going to think of what it means
to be an animal crossing a highway,
to be a human without a useful prayer
setting off on one of those journeys
we humans take. I don't expect anything
to change. I just want to be filled up
a little more with what exists,
tipped toward the laughter which understands
I'm nothing and all there is.
By evening, the promised storm
will arrive. A few in small boats
will be taken by surprise.
There will be survivors, and even they will die.
Labels:
200 favorite poems,
stephen dunn
Tuesday, May 27, 2008
The Poems I Have Not Written
I’m so wildly unprolific, the poems
I have not written would reach
from here to the California coast
if you laid them end to end.
And if you stacked them up,
the poems I have not written
would sway like a silent
Tower of Babel, saying nothing
and everything in a thousand
different tongues. So moving, so
filled with and emptied of suffering,
so steeped in the music of a voice
speechless before the truth,
the poems I have not written
would break the hearts of every
woman who’s ever left me,
make them eye their husbands
with a sharp contempt and hate
themselves for turning their backs
on the very source of beauty.
The poems I have not written
would compel all other poets
to ask of God: "Why do you
let me live? I am worthless.
please strike me dead at once,
destroy my works and cleanse
the earth of all my ghastly
imperfections." Trees would
bow their heads before the poems
I have not written. "Take me,"
they would say, "and turn me
into your pages so that I
might live forever as the ground
from which your words arise."
The wind itself, about which
I might have written so eloquently,
praising its slick and intersecting
rivers of air, its stately calms
and furious interrogations,
its flutelike lingerings and passionate
reproofs, would divert its course
to sweep down and then pass over
the poems I have not written,
and the life I have not lived, the life
I’ve failed even to imagine,
which they so perfectly describe.
I’m so wildly unprolific, the poems
I have not written would reach
from here to the California coast
if you laid them end to end.
And if you stacked them up,
the poems I have not written
would sway like a silent
Tower of Babel, saying nothing
and everything in a thousand
different tongues. So moving, so
filled with and emptied of suffering,
so steeped in the music of a voice
speechless before the truth,
the poems I have not written
would break the hearts of every
woman who’s ever left me,
make them eye their husbands
with a sharp contempt and hate
themselves for turning their backs
on the very source of beauty.
The poems I have not written
would compel all other poets
to ask of God: "Why do you
let me live? I am worthless.
please strike me dead at once,
destroy my works and cleanse
the earth of all my ghastly
imperfections." Trees would
bow their heads before the poems
I have not written. "Take me,"
they would say, "and turn me
into your pages so that I
might live forever as the ground
from which your words arise."
The wind itself, about which
I might have written so eloquently,
praising its slick and intersecting
rivers of air, its stately calms
and furious interrogations,
its flutelike lingerings and passionate
reproofs, would divert its course
to sweep down and then pass over
the poems I have not written,
and the life I have not lived, the life
I’ve failed even to imagine,
which they so perfectly describe.
Labels:
200 favorite poems,
john brehm
Thursday, May 1, 2008
Wild Geese
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,over the prairies
and the deep trees,the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese,
harsh and exciting --over and over announcing your place
in the family of things.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,over the prairies
and the deep trees,the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese,
harsh and exciting --over and over announcing your place
in the family of things.
Labels:
200 favorite poems,
Mary Oliver
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